From the same movie soundtrack that gave us “Heathens” (DC Films’ Suicide Squad) came this badass single. Ah, to go back to the days when Kesha had a dollar sign in her name. ... 10 Best Songs. October 26, 2020 ... It’s only natural that a band that literally began their career with a punk song based around the existentialism and absurdity of life as depicted in Camus’ The Stranger to only a few years later begin a song with the line “It doesn’t matter if we all die.” However, as the bands who’ve made numerous appearances in the. But in this case, the changes worked simply because Sparks The Rescue committed to altering the whole mood and tone of the song. Anarchy In The U.K. - Sex Pistols 5. also sets the perfect getting ready for a night out at the club vibe—that is, if the club happens to have a metal band performing that night. In fact, the song’s escalating groove threatens to hit the sonic stratosphere by the time Feldy hits the Germanic climax, leaving the band no choice but to use its smoothed out ska skills to mirror Nena’s contemplative ending. Go Radio — "Rolling … is gonna be made loud—and “Over My Head” is no exception. Taking a generic top-40 track and scene-ifying it is no easy feat. However, the album also contained a tongue-in-cheek rave-up of the schmaltzy Elvis classic “Viva Las Vegas” that showed the band’s irreverent, goofy side, as well. This cover has lots of great qualities, but it could’ve been better if Crown The Empire hadn’t changed the notes in the chorus. To top it all off, frontwoman. However, if This Century had to cover this track, we would’ve liked to see them do more to change it up from the original. Batman Forever may have its share of questionable moments (nipples on the batsuit? But even before that, Shonen Knife began their history of important covers when alternative-flavored tribute album to The Carpenters, If I Were A Carpenter, came out in 1994. Without any other distinctive sonic features to add staying power, “Send Me An Angel” is a pretty underwhelming cover. State Champs stayed true to the original in many ways, adding their own sound in all the right places. But fear not! Furthering the song’s serendipitous success, the band’s cover of “Woo Hoo” also popped up in quite a few commercials around that time period as well. However, they did interpret the quiet bridge beautifully. track with drums and a prominent bassline in the verses, but otherwise, there isn’t much that stands out in this cover. The two prominent vocalists from different eras of the pop-punk scene give an entirely new meaning to this Cyndi Lauper classic. Here are the top 50 ‘Punk Goes Pop’ covers of all time 1. Sleeping With Sirens frontman Kellin Quinn’s vocals shine in this cover of CeeLo Green’s “Fuck You.” We all love it when he adds in those impossibly high riffs and runs, but still, they don’t quite live up to Green’s soulfulness. Although originally released by The Nerves in 1976, Blondie’s cover became a hit two years later. Here are 10 of the best. The song "Cheerleader" reportedly had its origins in Jamaican singer OMI waking up humming the melody in 2008. ... Their debut album was called Greatest Hits, after all. Because if not, totally turned it into one with this cover of. There’s no denying that X’s 1980 debut album Los Angeles is one of the best and most influential punk albums of all time, thanks in some small part to what they did with their searing cover of “Soul Kitchen” by The Doors. series had already strayed from its first titular genre when the third volume was released in 2010. [Photos by: Andy Black/Josh Shultz, Tonight Alive, The Ready Set, New Years Day, The Cab] Fearless Records’ famous Punk Goes… franchise has certainly come a long way since its first installment in 2000. 2 , was released ten years ago this Sunday (March 10th, 2009) in … Sure, Further Seems Forever spiced up this classic *NSYNC track with drums and a prominent bassline in the verses, but otherwise, there isn’t much that stands out in this cover. Mayday Parade — "When I Grow Up" (The Pussycat Dolls). If you’re a late ’90s/early 2000s hip-hop purist, though, you might find the totally transformed vibe of this cover to be a bit much. After signing to Epic Records on the strength of their second album Prison Bound, Social D frontman Mike Ness dialed up the rockabilly and country elements of their sound for their first major label release, 1990’s Social Distortion. Punk covers of ’50s and ’60s songs aren’t a booming genre, but there’s a surprising number of them out there. From the soft guitar intro to the fervent drum fills, which build up to an explosive chorus, Silverstein add the perfect raw punk touch to, No cover can ever fully compare to the melancholy yet stomp-along quality of, ’s cover is such a fantastic reimagining. ’s 2013 hit, up until the first “We be all night” kicked in. Ironically, the Starting Line’s uptempo rendition of J-Lo’s “I’m Real” has a more raw and authentic feel to it than the original. If you’re looking for a good place to start with the band, they just released their first “greatestest hits” album Rake It In this past May. One of the more clever tributes of 2009 was Purplish Rain, a tribute album compiled by Spin magazine that featured track-by-track Purple Rain covers in the album’s original running order. Admittedly, there probably aren’t too many tenor vocalists out there who could fully match the power and soul in Queen B’s high notes. List of 100 Greatest Punk Rock Songs of all time, plus 10 Best Punk Songs of 2017 as compiled by digitaldreamdoor.com Writing and performing the perfect cover song is a challenge. This is just one of many instances across the seven, albums where the issue wasn’t so much the band’s approach to the song but rather the choice of song itself. Tyler Carter — "Hello" (Adele). ’s. Although Reel Big Fish’s (three years later) cover of “Take On Me” got a little more notoriety due to its involvement with the BASEketball film and soundtrack, MxPx’s version has more raw charm to it by foregoing the tongue-in-cheek cheesiness for unfiltered punk spirit. They boldly went where no Swift cover had gone before, adding in lots of screaming and a breakdown, one of the track’s standout moments. track. Still in their late teens at the time, MxPx showed some finesse in their tracklist choices for the all-covers affair, but it was “Take On Me” that unquestionably proved to be the album’s standout track. in 1991, the five-track EP included a trio of covers—Aerosmith’s “Sweet Emotion,” Metallica’s “Enter Sandman” and Van Halen’s “Ain’t Talkin’ ‘Bout Love.” “Sweet Emotion” and “Enter Sandman” are both fast-and-sloppy also-rans, but “Ain’t Talkin’ ‘Bout Love” stands out as a really solid example of early Bosstones magic. However, the band did themselves a disservice by sticking so closely to the original, without really adding much of their own signature sound. The Word Alive frontman Telle Smith’s vocal delivery in this cover of “Heartless” somehow makes the song feel so much more emotional. swapped out the simple, chill diss-to-an-ex vibe for a driving rock sound, complete with plenty of pop-punk drum fills and a big chorus. Check out 12 of Billboard’s favorite punk rock Christmas songs below. Incredible stuff. Of course, as with any expansive discography, not every song can be a hit. The 30 Best Punk Cover Songs 1. The perfect amalgamation of song choice, band performance, and fortuitous timing, The Clash’s “I Fought The Law” set the high-water mark for just how impactful the right cover song can be for a band (and even an entire genre). The 9 best metal covers of old school punk songs (plus one absolute f**king stinker) By MÖRAT (Metal Hammer) 08 February 2016. Do you remember when Demi Lovato played Warped Tour? However, Memphis May Fire did add an acceptable amount of screaming—and a brilliantly crafted breakdown—to make this more than just your average Punk Goes Pop cover. ... Best Written Television Series of All Time. However, as the bands who’ve made numerous appearances in the Punk Goes Pop series know, nailing a cross-genre cover is an art all its own. While most punk covers from this period hovered around the cheesier songs of the 1980s, The Suicide Machines’ decision to reach a little farther back for their tip-of-the-hat and it certainly paid off with this incredibly fun cover. Cute Is What We Aim For conveyed the feeling of having been traveling on the same road for too long by slowing down the tempo, dropping the key and adding acoustic guitar to this dark T.I. Punk cover supergroup Me First and the Gimme Gimmes released their very first 7” single in 1995 and it contained a John Denver cover on each side: “Country Roads” on the A and “Leaving On A Jet Plane” on the B. How do you pick the best punk cover from a band who’s made an impressive two-decade career out of just that? So much so that anytime the term “punk cover” is uttered into the ether, Topper Headon’s rumbling drum intro starts thundering somewhere in the distance. Dropkick Murphys recorded their uproarious version of “Tessie” for their 2004 EP of the same name. In fact, we’re not sure the band could’ve picked a better “pop” song to cover for the seventh Punk Goes Pop album. While The Jerky Boys was unilaterally panned, the film’s soundtrack is an incredibly entertaining listen and L7’s cover of “Hanging on the Telephone” is almost worth the price of admission on its own. than Jay Sean. Listen to 100 Best pop-punk songs ever in full in the Spotify app. ’s voice doesn’t work for the song; it’s more that his singing lacks the distress that Rihanna’s conveys. In 1979, The Slits released “Typical Girls” as the lead single from their debut album Cut and used a stutter-and-slink cover of the Motown standard “I Heard It Through the Grapevine” for the single’s non-album B-side. Yeah, the most famous song is a pop punk cover of “Boys of Summer.” One, that song is catchy. Third, in some exceptional cases, the cover versions unquestionably eclipse the original, as with The Clash’s “I Fought The Law,” Social D’s “Ring of Fire” and pretty much every Ramones cover. We constantly update new blogs every day to provide you with the most useful tips and reviews of a wide range of products. Andy Biersack and Juliet Simms’ rendition of “When We Were Young” seems to be one of the more controversial covers in the entire Punk Goes Pop series. Ultimately, WCAR’s cover sounded a little too much like the original to be a standout Punk Goes… song. Most Punk Top 30 Results You voted in droves in The Lock Up's Most Punk poll. Who knew a Japanese garage punk girl group could cover an American rockabilly song so well that it could help sell Canadian beer. While hearing this powerhouse couple together was a peak moment for fans, many critics state that Simms jumping up an octave felt unnecessary, as did the bombastic descending hits in the verses and the slightly overproduced quality. Some true pop-punk defenders have argued that it’s nice to be able to actually understand the lyrics, but much like other rock-turned-pop acts such as Fall Out Boy, isn’t that just part of the 1975’s charm? Is hip-hop metalcore considered an official genre? Of course, covering a song by the King of Pop, and replicating that signature soulful groove, is hard to do, which might be why the song feels a little underwhelming. 5. So whether you're a p op-punk fan looking to broaden your horizons, or a pop fan wanting to try something new, this list … The term "pop punk" is often co-opted and repackaged as power pop or some variation therein, yet the core concept is simple — melodic songs packaged with a punk slant. The best way to find out when there are new articles about Top 100 Punk Rock Songs on our site is to visit our homepage regularly. albums. Their blistering cover of Ritchie Valens’ “La Bamba” (the B-side to their “Achin’” 7” single in 1981) was a high-water mark for the group, itself a commentary on their Latino roots that was both celebratory and satirical, though the ratio between those two elements is up for debate. Top Ten Best Punk Oi! Jack White, singing from the feminine perspective without a trace of irony, brings down the house in his epic rendition of a country classic. Then there have been some song selections and stylistic choices that have left us scratching our heads. Ice Nine Kills added some really interesting elements, both vocally and instrumentally, to Maroon 5’s “Animals.” As a band known for incorporating vivid horror themes into their lyrics, it seems fitting that Ice Nine Kills would’ve picked a song with such a distinct and eerie metaphor. 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